Giving the game away (nearly)

Forget that spoiler alert! Go on, do it! It’s time to give away the story!

What?

Give away the story? Or at least part of it? Am I being serious?

juneStrangely yes. This week reading June by Miranda Beverley-Whittmore, I was struck by her clear statement of the events that would unfold in the course of the novel.

On page 4 she writes of the delights to come: of “the dark, terrifying night Lindie bashed in the man’s head, his hot brains quivering on her fingertips yes; but also the open, shimmering promise of the movie stars; the silky noose of the blackmail around everything the girls had come to love; the soft open moans of the stolen kisses; and the baby.”

What a great way to draw the reader in! Do I want to read on to learn about murder, blackmail, movie stars, stolen kisses and a baby? You bet I do.

So here’s the writing exercise. This one requires you have something already written – perhaps a short story you have never quite been happy with (I know I have a couple that fall into this category). Take the story and at an early point, say in the first 3 paragraphs, tell the reader what drama will unfold. Not the final resolution. That would be a real spoiler and you will notice that Miranda Beverly-Whittemore keeps back plenty. There is no indication as to who the murder victim is, who is the blackmailer or who is going to have a baby. Instead the reader has questions, all of which will be answered by the time the novel wraps up.

So do the same with your writing. Let your reader continue on their journey with questions needing answered. But see if this signalling of events in store makes your story more compelling.

I think it just might.

 

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Character notes

middlesteinsI have been reading The Middlesteins this week and came across a section where Attenberg has one character list the lies she has told her husband during their marriage. The list includes not being on the pill and what she really thinks about his sister. It’s fun and very revealing. That made me think that this was an exercise that could be useful.

Here’s the prompt:

Select the two characters in your novel or story (whether at the outline or draft stage, it doesn’t matter) who have the most conflicted, contentious or important relationship. Pick the point of view of one, not necessarily the one whose point of view you have chosen for the piece in question. Then start with the following statement:

X had told Y (pick a number) of lies in his/her life –

  1. start writing…

From memory I think Edie Middlestein had told her husband 5 or 6 lies. But of course you can have as many or as few as you want/need.

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On finding the plot

If you’re like me and plot isn’t your thing, you may not know it yet, and unlikely as it may seem, you need The Plot Whisperer by Marsha Alderson. Amazon describes it as a “plotting system that’s as innovative as it is easy to implement. With her foolproof blueprint, you’ll learn to devise a successful storyline for any genre.”

My friend Kate Braithwaite (author of Charlatan, which also should be on your reading list) told me about it. It’s hard work to do the exercises, I won’t disguise the reality of that, but if you do them you will get your plot. The method really works! If you’ve lost the plot, take a look at The Plot Whisperer, for the sake of your sanity.

Here’s a picture of the structure of my novel. As you can tell, I’m very proud of it. Happy plotting!

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10 top tips for attending a bookfair

This gallery contains 5 photos.

Originally posted on Kate Braithwaite:
In the last month I have been to two bookfairs to sell my novel, Charlatan: the Collingswood Bookfair in New Jersey and the Hockessin Art & Book Fair. Both times I went with members of…

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How very difficult it is…

love-me-backThis morning I came across an article in Marie Claire which had been shared on facebook. It’s by author, Merritt Tierce, whose first novel, Love Me Back, was published to huge critical acclaim in 2014.

I’d recommend reading the whole article but in brief, she explains how after selling her first book she gave up working to become a full-time writer. Only now, two years later, she has not written a second book. Her main emotion seems to be anger.

I had mixed feelings about her difficulties after reading the article. Some of her problems might well be self-inflicted. I feel like she is more concerned about making money than about writing. But she’s clearly talented. And struggling. And for those things I very much hopes she can find her way through this.

Also this morning, I came across another article on one of my favourite websites, Brain Pickings. This focused on what Jennifer Egan (whose novel Welcome to the Goon Squad I just loved) had to say about the ‘writing, the trap of approval and the most important discipline for aspiring writers’.

Merritt Tierce should read that article! Here’s a two of my favourite Jennifer Egan quotes, from the Brain Picking article.

whywewrite“The attention and approval I’ve been getting for Goon Squad — the very public moments of winning the Pulitzer and the other prizes — is exactly the opposite of the very private pleasure of writing. And it’s dangerous. Thinking that I’ll get this kind of love again, that getting it should be my goal, would lead me to creative decisions that would undermine me and my work.”

and…

“Exercising is a good analogy for writing. If you’re not used to exercising you want to avoid it forever. If you’re used to it, it feels uncomfortable and strange not to. No matter where you are in your writing career, the same is true for writing. Even fifteen minutes a day will keep you in the habit.”

Gah! Exercise. Such good advice. So healthy. And yes… so true.

 

 

 

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Publication Day!

Today is the day! My novel, Charlatan, is available for purchase on Amazon & Barnes and Noble. It has been a long journey…

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Lipo for Manuscripts

fat-stomach-e1333554021936

When an editor asks you to shorten your work by 15% it’s not out of cruelty, although it might seems so.

Here’s an easy fix to trim down and help avoid head n’ heartache: cut adverbs and consider removing the words listed below. If the sentence conveys what you intended (or you’re inspired to be more precise), you don’t need the word.

a bit, absolutely, actually, about, all, almost, and, any, are, around, as, at, awful, basically, because, begin, but, can, certainly, completely, definitely, down, even, feel, go, hate, it, just, how, literally, little, much, not, of, okay, one, or, ponder, probably, quite, rather, realize, really, replied, said (or other dialogue tag – describe character action or trait instead), seem, so, some, somehow, somewhat, sort of, start, still, that, the, then, think, this, those, thoughtfully, time, totally, understand, up, very, virtually, wonder 

Scarily effective!

(Adapted from: Creative Writing from Wesleyan University/Coursera)

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Irresistible

The inimitable W.B. Yeats said:

“Only that which does not teach,

which does not cry out,

which does not condescend,

which does not explain,

is irresistible.”

Easier said than done.

wb-yeats-poetry

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Something about mothers

It’s Mother’s Day, in England at least, and so here is a prompt that rarely fails. Write 500 words beginning with: “My mother always… .”

Mother and Child detail from The Three Ages of Woman

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Something for the weekend #37

Mark Twain said, “Reality is stranger than fiction.”  Well, take a look below at the picture of a CNN news story.

Screen Shot 2016-02-24 at 8.21.57 AMAlso found in the motel room by the police was “an incoherent man.” So, here is the prompt: what happened before the police arrived?

 

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